50 Best Songs of 2013

It's that time of the year again to look back and reminisce on the year that has passed. Oh, what a year it has been and boy, did time fly by real fast. Now that Pitchfork, Rolling Stone, and Stereogum have all released their Best-Of lists, I decided to join in on the fun.

2013 has been a year of bands coming back from long breaks like Daft Punk, My Bloody Valentine, Mazzy Star, and Black Sabbath. There were also amazing second and third albums from The Dubs (Vampire Weekend), MGMT, Local Natives, Surfer Blood, Grouplove, Best Coast, M.I.A., and many more. There's so many great music produced this year and I'm so glad I was able to absorb at least a percentage of it. I have so many albums that I wish I'd given more time to listen to like Laura Marling's Once I Was An Eagle that barely got playtime on my iTunes, or Noah and the Whale's Heart Of Nowhere that has probably only plays for There Will Come A Time, or Blood Orange(aka Dev Hynes)'s Cupid Deluxe, which I haven't even gotten myself to pressing that play button yet. There's so many things I want to listen to but sometimes my mood just tells me to play that Bastille record one more time. So, I'm saying sorry now for not having any of the aforementioned artists on my list but it's still a pretty good list.

But before that, I have to mention that my babies, Vampire Weekend, were given the number one spot on Rolling Stone's Best Album of 2013. I can't help but be all proud and happy for them because I know it has been a real journey for the completion of this masterpiece called Modern Vampires of the City. These young lions really took their time and it shows because of the deep and mature tone the lyrics have become since talking about oxford commas five years ago. They definitely deserve this spot and I'm hoping they win a Grammy for this because, as biased as this may sound,  I strongly believe this is Vampire Weekend's year.

Now, on to the list.

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Darkness of the Dawn

 First, let's talk about James Blake.

Recently, I've been listening to some podcasts and in this one station that I tune in called All Songs Considered, they briefly talked about James Blake and from then on I became interested in his artistry and virtuosity. I've listened to his song Retrograde multiple times before but I've never really gotten to know him as an artist. And going back to that podcast, the hosts, Bob Boilen and Robin Hilton, caught up with him after a show and spoke about possibly having a song that has changed his life. He was quick to say that it was Trouble Blues by Sam Cooke, which came out back in 1963. He said, "It's the hum. In some subconscious way, I filtered that into Retrograde." When you listen to Cooke's track, you'll definitely understand what he was talking about. What actually drew me to Retrograde was the humming. I remember first hearing it and couldn't get it out of my head, which is not at all a bad thing.

Trouble Blues by Sam Cooke

There's a touch of a soulful vibrato when he sings showcased especially in his cover of Feist's Limit To Your Love. But don't call him a soul singer because he doesn't see himself falling into that category. In an interview with Pitchfork, Blake said, "I've never felt like I was a soul singer. It's not really who I am." He goes on about how he feels when people call him "soulful" in the interview, which you can read here. Whatever genre he may lie, it doesn't hide the fact that he's got an amazing voice. 

His take on songwriting has always been about being true to himself, as cliche as that may sound. He says, "When I'm writing a track, I feel like I have to produce something that totally represents me and, if it doesn't, then it's stopped immediately. There's not even a second thought -- I'll close it and do something else. Being honest is an individual thing. It's not something that other people judge you on, although they can smell it. "  

I've fallen in love with his song, The Wilhem Scream. The lyrics go, " I don't know about my dreams. I don't know about my dreaming anymore. All that I know is I'm falling. Might as well fall in. I don't know about my love. I don't know about my loving anymore. All that I know is I'm falling. Might as well fall in." and that's it all through out the 4:36 duration of the song. It's so simple yet when he sings it, it feels like it has so much weight to it and meaning to every word he says. With every verse he sings, it feels like he's asking me a question about life and where it is headed to or rather, succumbed to.  Although, I might just be thinking way too deep into this and it's probably because I'm writing this into the wee hours of the night. And so, I am really excited to see him perform live next year at Laneway Singapore because all I've heard are amazing things about his live performances. They're making live electronic music and he and his band do not have pre-taped samples or sequences with them. The looping is all done live. I can't wait to see it for myself. 

Watch him perform The Wilhem Scream live on Later With Jools Holland. (Watch)

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Wanderland Festival 2013

I love music festivals. 

Coachella, Roo, Lolla, Glasto, SXSW, etc. I love it all. More like, I'd love to attend it all. I die a little every time a festival passes by and I'm miles away, probably watching the livestream if it's available. I've had a taste of it earlier this year but that just made me want it more. The day I finally get to be at either one of these festivals will be the pinnacle of my existence. 

So, generally, when I found out about Wanderland Festival, I got really excited. Nada Surf, Neon Trees, and The Temper Trap. These are bands that I listened to... about 3 years ago. That meant I was bound to be a bit rusty with the singing along. Being the cheapskates that we are, we opted on buying Gold tickets from groupon. Maybe next year if the line-up is better, then we might upgrade to the VIP section.

This festival wouldn't have been that much fun if it weren't for the great friends I was with. Well, that goes for everything else in life, I guess. But, I loved the vibes all through out the day. Chill with an inkling of a thrill. Also scorching hot and very clammy. Nonetheless, it was a great music-filled day. I really enjoyed Avalanche City's folk sound. Definitely going to be listening to more of their music, that's for sure. As for the "headliners", Neon Trees was absolutely amazing. The band was able to get the audience dancing to their tunes and @tylerinacoma is oozing with energy! But The Temper Trap's Sweet Disposition was a great way to end the night. [I couldn't help but find their music similar to Local Natives. Please tell me I'm not the only one. Speaking of Local Natives... That's a band I'm dying to watch live.]

Some thoughts on the festival:

• VIP and GA sections should've been separated at the middle or not at all, especially since it's a relatively small festival
• Start on time next time, not 2 hours later
• And more food choices/stalls please
• And if better bands will be in attendance next year, do not increase ticket prices (it already is a wee bit expensive)

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What's your vibe?

Lately, I've been all around the interwebs and reading a lot too, surprisingly. There's been reading of books, magazines, articles, and blogs - mainly some internet vibes. But I've been listening to a lot of new music too. I'm really liking Youth Lagoon's vibe. His music sounds dreamy, like an MGMT feel, but it also sounds quite vulnerable and sweet at the same time. Trevor Powers who goes by Youth Lagoon has described his musical venture as merely a part of himself and his music as somewhat like letting people read his journal. I love these kinds of musicians who are filled with passion and emotion. Check out this music video, Montana by Youth Lagoon, which is very emotional and powerful that people in this video's comments section are all crying, or almost. 

I've got a few more things to share too, like this short film entitled, The Queen, by Christina Choe. The video is described as such: Bobby works at his parents dry cleaners on prom weekend. When the prom queen and her boyfriend stop by with their dress and tuxedo, Bobby has his own prom to remember. 

This next one, The Scared is scared, ensued when Bianca Giaever asked a six year old on what her movie should be about. Don't let the title scare you away, it's not a horror flick. 

Flickering Lights is a project done by hitRECord, a collaborative production company headed by the great, Joseph Gordon-Levitt. It's a beautiful video and you should definitely check out more works on hitrecord.org. 

These next three music videos are my recent favorites. Cry Like A Ghost by Passion Pit is actually my favorite song off their album and then to have this masterpiece of a video to boot is nothing short of amazing. The directing duo Daniel Kwan and Daniel Scheinert have produced great music videos much like this. They were the brains behind Foster the People's Houdini and The Shins' Simple Song. 

Jim Canty gives us four reasons why we should watch Whispers in the Dark by Mumford & Sons four times as much as we should. At one point, it features a cameo by Haim.

Matt & Kim's It's Alright video will leave you dancing along to their tune. I mean, they already are... dancing on their bed and more. Check out Kim twerking at around 2:39.