Bastille: Live in Manila

Happy new year! And what a way to start the year with Bastille. Yes, Bastille! Those four English lads that sing about the ruins of Pompeii and a (fictitious) dead girl called Laura Palmer. It is one of the best concerts I have attended, definitely Top 5 material (knocking FTP down to number 6, soz). It is one of those nights that I wish would go on longer, no matter how tired my legs would be afterwards. It's the best feeling in the world to see one of your favorite bands, to be amidst their music, the energy, the people. And that's why I always choose to watch my favorite acts even though it leaves me being broke in the end.

Oh, and I met (and hugged!!!!!) all of Bastille.

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50 Best Songs of 2013

It's that time of the year again to look back and reminisce on the year that has passed. Oh, what a year it has been and boy, did time fly by real fast. Now that Pitchfork, Rolling Stone, and Stereogum have all released their Best-Of lists, I decided to join in on the fun.

2013 has been a year of bands coming back from long breaks like Daft Punk, My Bloody Valentine, Mazzy Star, and Black Sabbath. There were also amazing second and third albums from The Dubs (Vampire Weekend), MGMT, Local Natives, Surfer Blood, Grouplove, Best Coast, M.I.A., and many more. There's so many great music produced this year and I'm so glad I was able to absorb at least a percentage of it. I have so many albums that I wish I'd given more time to listen to like Laura Marling's Once I Was An Eagle that barely got playtime on my iTunes, or Noah and the Whale's Heart Of Nowhere that has probably only plays for There Will Come A Time, or Blood Orange(aka Dev Hynes)'s Cupid Deluxe, which I haven't even gotten myself to pressing that play button yet. There's so many things I want to listen to but sometimes my mood just tells me to play that Bastille record one more time. So, I'm saying sorry now for not having any of the aforementioned artists on my list but it's still a pretty good list.

But before that, I have to mention that my babies, Vampire Weekend, were given the number one spot on Rolling Stone's Best Album of 2013. I can't help but be all proud and happy for them because I know it has been a real journey for the completion of this masterpiece called Modern Vampires of the City. These young lions really took their time and it shows because of the deep and mature tone the lyrics have become since talking about oxford commas five years ago. They definitely deserve this spot and I'm hoping they win a Grammy for this because, as biased as this may sound,  I strongly believe this is Vampire Weekend's year.

Now, on to the list.

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Thinkin' Ahead

"A storm is coming, Frank says. A storm that will swallow the children and I will deliver them from the kingdom of pain. I will deliver the children back to their doorsteps and send the monsters back to the underground. I'll send them back to the place where no one else can see them except for me."

Listen to Thinkin' Ahead by Bastille (feat. Ric Elsworth & O.N.E)

Darkness of the Dawn

 First, let's talk about James Blake.

Recently, I've been listening to some podcasts and in this one station that I tune in called All Songs Considered, they briefly talked about James Blake and from then on I became interested in his artistry and virtuosity. I've listened to his song Retrograde multiple times before but I've never really gotten to know him as an artist. And going back to that podcast, the hosts, Bob Boilen and Robin Hilton, caught up with him after a show and spoke about possibly having a song that has changed his life. He was quick to say that it was Trouble Blues by Sam Cooke, which came out back in 1963. He said, "It's the hum. In some subconscious way, I filtered that into Retrograde." When you listen to Cooke's track, you'll definitely understand what he was talking about. What actually drew me to Retrograde was the humming. I remember first hearing it and couldn't get it out of my head, which is not at all a bad thing.

Trouble Blues by Sam Cooke

There's a touch of a soulful vibrato when he sings showcased especially in his cover of Feist's Limit To Your Love. But don't call him a soul singer because he doesn't see himself falling into that category. In an interview with Pitchfork, Blake said, "I've never felt like I was a soul singer. It's not really who I am." He goes on about how he feels when people call him "soulful" in the interview, which you can read here. Whatever genre he may lie, it doesn't hide the fact that he's got an amazing voice. 

His take on songwriting has always been about being true to himself, as cliche as that may sound. He says, "When I'm writing a track, I feel like I have to produce something that totally represents me and, if it doesn't, then it's stopped immediately. There's not even a second thought -- I'll close it and do something else. Being honest is an individual thing. It's not something that other people judge you on, although they can smell it. "  

I've fallen in love with his song, The Wilhem Scream. The lyrics go, " I don't know about my dreams. I don't know about my dreaming anymore. All that I know is I'm falling. Might as well fall in. I don't know about my love. I don't know about my loving anymore. All that I know is I'm falling. Might as well fall in." and that's it all through out the 4:36 duration of the song. It's so simple yet when he sings it, it feels like it has so much weight to it and meaning to every word he says. With every verse he sings, it feels like he's asking me a question about life and where it is headed to or rather, succumbed to.  Although, I might just be thinking way too deep into this and it's probably because I'm writing this into the wee hours of the night. And so, I am really excited to see him perform live next year at Laneway Singapore because all I've heard are amazing things about his live performances. They're making live electronic music and he and his band do not have pre-taped samples or sequences with them. The looping is all done live. I can't wait to see it for myself. 

Watch him perform The Wilhem Scream live on Later With Jools Holland. (Watch)

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Music On My Mind

This week's music highlights:

The 1975 performs a Tiny Desk Concert and it is beautiful, sweet, and endearing. Matthew Healy's on his own in the NPR office with only his guitars to accompany him but this just makes it a little more heartfelt and personal. Check out the video. 

Kings of Leon does Robyn's Dancing On My Own. There's something about Caleb's voice that makes everything he sings so sensual. Check out the video. 

Bastille does Miley's We Can't Stop. It's quite genius of them to sneak in Achy Breaky Heart in their cover. You're missing out if you haven't heard it yet.  Check out the video.

London Grammar is most likely going to win this year's Mercury Prize award, says almost everybody. With the success Alt-j has received upon winning last year's award, it's safe to say London Grammar is going places too. Listen to this amazing song, Hey Now, off their debut album, If You Wait. Listen to the song. 

The Take Away show we've all been waiting for, Take Away Phoenix. The first time they were on, it was 2009 and a random couple on their wedding day just happily stumbled upon Phoenix playing 1901 at the Trocadero in Paris, France. It was pretty epic. Now, we get a 21-minute movie from La Blogotheque. There's Thomas singing on a PA system to a plane full of sleeping passengers, the band performing by the Museum and National Estate of Versailles, then doing so on a rowboat, and an acoustic of Countdown while on a stroll at a park. It's everything you wished to see for yourself. Check out the video.

So french fries, anyway... I mean, this performance of The Neighbourhood's Afraid is pretty funny, right? [You'll get the fries reference after watching.] Check out the video.


Check out these legs... or are they hotdogs? It's quite hard to tell sometimes but it sure is a laugh. Hot-dog-legs